_______________
  SANJO YOSHINORI(1) O-CHO 1311  -  See SANJO
            |__________________________
  __________|____                  ____|____
  SANJO YOSHINORI(2) KEM-MU 1334   YOSHIHIRO GEN-TOKU 1329
  __________|____
  SANJO YOSHINORI(3) TEI-JI 1362 to EI-TOKU 1381 
            |_____________ _____________ ______________
  __________|____     ____|____     ____|_____     ____|____     
  SANJO YOSHINORI(4)  YOSHIMORI     YOSHITSUGU(1)  YOSHIHIRO     
            | - O-EI 1394 -             |  - O-AN 1368 -         
  __________|____                       |______________          
  SANJO YOSHINORI(5) KYO-TOKU 1452  ____|_____     ____|_____    
  __________|____                   YOSHITSUGU(2)  SHIGETSUGU    
  SANJO YOSHINORI(6) BUN-MEI 1469    EI-KYO 1429   KA-KICHI 1441 
            |________________________
____________|____                 ___|____             __________                   
HEIANJO NAGAYOSHI(4) EI-SHO 1504  YORIHISA BUNGI 1501  YOSHITSUGU(3) 
        ____|____                                      See KURAMA SEKI
        YOSHINAGA TEN-MON 1532    

YOSHINORI(4) O-EI: SANJO. MOKUME HADA. SUGUHA and KO-MIDARE BA.

YOSHINORI(5) KYO-TOKU (f: YOSHINORI): HO-TOKU to CHO-ROKU 1457.

YOSHINORI(6) BUN-MEI: Work to EN-TOKU 1489. One of many escapees
        from the rubble of the O-NIN War. Found work in IZUMI and
        ECHIZEN. Made TACHI, KATANA, TANTO and mostly WAKIZASHI.
        Standing MOKUME HADA with MASAME has JI-NIE. CHU-width 
        KO-NIE FUKASHI KO-CHOJI KO-MIDARE, KO-GUNOME, GUNOME-
        MIDARE BA, HITATSURA and YAHAZU "Arrow" forms. HI and 
        KEN, KURIKARA "Dragon" HORIMONO and BONJI. Long 
        signatures on FUNAZOKO-GATA "Boat-bottom" NAKAGO.

Famous for large KOSHIBA. Can be YAHAZU-MIDARE BA and 
        HAKO-NOTARE BA, SENGO style. O-GUNOME MIDARE. May appear
        as rounded O-GUNOME grouped on a CHU-SUGU line. NAKAGO 
        has the SENGO swelled belly to HA-side raised KURIJIRI.
        Many of the NAGA character of the 4th will seem halting.
        The horizontal bar of the NAGA and YOSHI tend to have 
        ends where the right side is pointed down and the left,
        up. HEIANJO starts with MITSUNAGA's line creating 
        foundations from which the SUGAWARA smiths take their 
        place in O-EI. The O-NIN disintegrates YAMASHIRO as proud
        smiths keep their name through exile, spawning the 
        eventual travels of NAGAYOSHI. BUN-GI is a forest of 
        SENGOKU competitors finding main players such as SENGO 
        MURAMASA, the SOSHU and SEKI, SHIMADA YOSHISUKE and 
        HEIANJO NAGAYOSHI.

This SENGOKU traveler worked in MIKAWA, is thought to have apprenticed under MURAMASA in ISE, and learned  the art of HORIMONO at ODAWARA town in SAGAMI.  - SENGO HAMON pattern with SOSHU HORI.  TANTO are many. 9 SUN SAKI-ZORI or slightly curved  and thick  6 to 7 SUN KAIKEN (dagger).

BUNGI Triad

YORIHISA BUNGI (f: SANJO YOSHINORI): KYO smith. Wars and troubles 
         beset KYOTO and her smiths. Yorihisa left to work in IZUMI.
         Made HOSO-SUGUHA and more complex HAMON.

   YORIHISA SAKU
   SANJO YOSHINORI-SHI YORIHISA SAKU

____________________  
SANJO FUSE YOSHINAGA EI-SHO 1504

YOSHITSUGU(1) O-AN (t: NOBUKUNI, f: YOSHIHIRO): SANJO YOSHITSUGU. 
           YOSHINORI line smith said to be a pupil of NOBUKUNI. 
           Worked at the gate of KURAMA-DERA Temple to O-EI 1394. 
           MOKUME HADA. SUGUHA and KO-MIDARE BA.

YOSHITSUGU(2) EI-KYO: SANJO YOSHITSUGU group at KURAMA-DERA. 
           MOKUME. SUGUHA with ASHI and GUNOME-MIDARE. The O-NIN 
           War scatters KYO smiths. YOSHITSUGU(3) MEI-O champions 
           MINO style for KURAMA. See YAMASHIRO KURAMA SEKI
__________
YOSHIMITSU KO-SHO 1455:  MOKUME HADA. GUNOME-MIDARE KO-MIDARE HA.
           Signed: NOBUKUNI YOSHIMITSU SAKU. HEIANJO YOSHIMITSU. 
_______________                       _______________
SANJO YOSHIFUSA O-EI 1394             SANJO MUNECHIKA KEM-MU 1334
____|____                             __________|____
FUSAYOSHI O-EI 1394                   SANJO MUNECHIKA O-EI 1394
____|____
YOSHIFUSA BUN-MEI 1469
    |___________________________________ 
____|____                           ____|___  
YOSHIFUSA(2) To IZUMI EI-SHO 1504   FUSAYASU 
    |________________________        EI-SHO 1504
____|____                ____|____
YOSHIFUSA TEN-MON 1532   FUSAYOSHI
____|____                 TEN-MON 1532
YOSHIFUSA GEN-KI 1570

YOSHIFUSA BUN-MEI:   Post O-NIN HEIANJO.  KO-NIE and defined NIOI 
           GUNOME-MIDARE HA.

YOSHIFUSA EI-SHO: In IZUMI - KYO-ROKU 1528. OITE IZUMI KUNI SAKU.

YOSHIFUSA GEN-KI: ITAME. SUGUHA and KO-MIDARE BA.
_________ _________ _________ ________ 
MUNEYOSHI NORIMITSU NORIYOSHI SUKENORI 
           - BUN-MEI 1469 -         _________ _________ _________
                                    MASASHIGE MUNETSUGU MUNEMITSU
                                           - BUN-MEI 1469 -

NORIYOSHI BUN-MEI: MOKUME with MASAME. KO-MIDARE BA.

MUNEYOSHI BUN-MEI: SANJO MUNEYOSHI. MOKUME with MASAME. SUGUHA or
        KO-MIDARE BA in a NOTARE roll.
     _________ _________ ________ ________      _________
     NOBUYOSHI YUKISHIGE NOBUSADA KAGEHIRO      KANETSUGU
                 - EI-SHO 1504 -               TAI-EI 1521

YUKISHIGE EI-SHO: MOKUME with MASAME. SUGUHA and KO-MIDARE BA.
   _________ ________       _________           ________
   NOBUYOSHI NOBUSADA       NORISHIGE           KAGEHIRO
    - TEN-MON 1532 -       TEN-SHO 1573       BUN-ROKU 1592