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TOSA YOSHIMITSU was influenced by SENJUIN and TEGAI style. ITAME MASAME that stands.Some UCHIZORI.HOSO-SUGU NOTARE or GUNOME. NIOI-DEKI with KO-NIE. _________ CHIKAFUSA KO-AN 1278 ___________________________ AWATAGUCHI MASAMITSU School ____|_____ YOSHIMITSU(1) SHO-AN 1299 ____|_____ YOSHIMITSU(2) RYAKU-O 1338 |________________________ ____________________ ____|_____ ____|____ ____|___ YOSHIMITSU(3)KO-O 1389 YOSHITADA O-EI 1394 SANETADA O-EI 1394 ____|_____ ________ ________ ____|_____ YOSHIMITSU(4) O-EI 1394 KUNIYASU MUNEKUNI YOSHIMATSU ____|_____ - O-EI 1394 - EI-KYO 1429 YOSHIMITSU(5) KO-SHO 1455 _________ _________ ____|_____ YOSHIMOTO YOSHISUKE YOSHIMITSU(6) BUN-MEI 1469 - EI-KYO 1429 - ____|_____ YOSHIMITSU(7) TAI-EI 1521 ________ ________ __________ MUNENAGA YASUNAGA YOSHIMITSU KO-JI 1555 - EI-ROKU 1558 - __________ ________ ________ YOSHITSUGU GEN-KI 1570 SUKEMASA TEN-SHO 1573 YUKIMASA YOSHIMITSU SHO-AN (t: AWATAGUCHI MASAMITSU): KANBARA JU. Studied SENJUIN and TEGAI traditions. Some sight similarity of styles to claim him the same man as SENJUIN YOSHIMITSU. An AWATAGUCHI student, his blades have been confused with AWATAGUCHI YOSHIMITSU. Many were gift swords, and so, were attributed as the work of the latter. TOSA YOSHIMITSU made unusually thick TANTO where the round FUKURA has an abrupt turn to the point. YOWAI MOKUME with MASAME has JI-NIE. Although a tired piece will obscure, color and moisture of TOSA JI-NIE will not compare with AWATAGUCHI YOSHIMITSU. NIE HOSO-SUGUHA has strays. Note: SENJUIN YOSHIMITSU is an uneven GUNOME-MIDARE. See YAMATO YOSHIMITSU(6) BUN-MEI:KATANA and thick,narrow UCHIZORI TANTO. Bright standing ITAME with MASAME that runs. KO-NIE HOSO- SUGU NOTARE BA or GUNOME NOTARE mix. |
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