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//////////////map of Travels - KATAYAMA and BIZEN |
Technical: SUGATA - KOSHIZORI. Wide and strong with deep curve. Medium BIZEN-like KISSAKI. Some NAGAMAKI. HADA - Fine KO-MOKUME, ITAME-MASA mix. O-HADA possible. HAMON - CHOJI, CHOJI-MIDARE, FUTATSU (doubled) CHOJI in NIOI with ASHI. Some SAKA-CHOJI. YAKIBA-radiant CHOJI-UTSURI (reflections of the HAMON). BOSHI - Usually MIDARE with short or no KAERI. NAKAGO - Long and tapering. KURIJIRI. SUJIKAI. Signatures are mostly two-characters. KATAYAMA ICHIMONJI ________________ ________ FUKUOKA NORIFUSA(1st) Founder TEI-O 1222 SANEMORI SHO-JI 1199 |____________ __________ _________ _________ __________ _____ ___|____ ___|____ ___|____ ___|___ ___|_____ ___|____ | NORIFUSA(2) NORIYUKI YASUNORI IYEYASU SANETOSHI YORIZANE | - KEN-CHO 1249 - - TEI-O 1222 - - BUN-RYAKU 1234 - | ______ ______________________ _________ ____________ ______| | ___|___ ___|____ ___|____ ____|____ | YASUIYE KEN-CHO 1249 NORITAKA YUKIZANE YOSHISUYE | ___|____ - KAN-GEN 1243 - KO-CHO 1261 | KANEYASU BUN-PO 1317 |__________________________ _________ _______ ____|____ ___|___ NOBUTSUGU YASUIYE NORITSUNE RYAKU-NIN 1238 TOKINAO - KO-AN 1278 - |__________ SHO-KYU 1219 _________ ____|___ __|_____ SANETSUNE KA-GEN 1303 NORIZANE YASUNORI KEN-JI 1275 KO-CHO 1261 __|_____ YASUHIRO TOKU-JI 1306 ________ _______ KUNINOBU GEN-TOKU 1329 HIROIYE KEM-MU 1334 _______ _________ _________ _______ ________ YASUIYE RYAKU-O 1338 SHIGESUYE SHIGENAGA ARITADA KUNINORI |______________________ - EN-BUN 1356 - ___|_____ ___|___ ________ TOSHIYUKI TEI-JI 1362 ARIHIRO EI-TOKU 1381 SANEKAGE TEI-WA 1345 ___|____ ________ ___|_____ YUKIYASU O-EI 1394 SUKEHIRO EI-TOKU 1381 KAGESHIGE O-EI 1394 _________ HIROTSUNE TEI-JI 1362 |
_________________________ OSUMI SAEMONnoJO SUKEHIRA BUN-WA 1352 ____________________|____ SENOO OSABEInoJO SANEYUKI O-AN 1368 (f: NORITAKA - MANJUSHO) _______________________________ BIZEN SHOCHU ICHIMONJI YOSHIUJI 1324 __________| ____|____ ___|____ YOSHIFUSA YOSHIIYE (IYEHISA) TEI-JI 1362 O-AN 1368 ___|_____ YOSHIFUSA EI-KYO 1429 ___|___ IYEHISA KAN-SHO 1460 ________ ________ IYETSUGU (YOSHIFUSA) O-AN 1368 SANESADA(1) O-AN 1368 ___|____ ___|____ IYETSUGU SHI-TOKU 1384 SANESADA(2) O-EI 1394 ___|____ ______ IYETSUGU O-EI 1394 UEHIRO EI-WA 1375 ___|____ IYETSUGU KYO-TOKU 1452 ___|____ IYETSUGU MEI-O 1492 ___|____ IYETSUGU TAI-EI 1521 _________ ________ YUKITOSHI O-EI 1394 TAMEKIYO O-EI 1394 (t: SUKEHISA) _______ _________ ______ _______ ________ YASUIYE YASUTSURA MUNETO YUKIIYE SANENORI - O-EI 1394 - NORIFUSA(1) TEI-O: KATAYAMA Founder. A son of ICHIMONJI YOSHIFUSA, from SUKEFUSA line. TAKATSU UMANOSUKE. Traveled from BIZEN in the footsteps of BIZEN-style AOE Founder, NORITAKA. YOSHIFUSA-style brilliant "Flower- petal" CHOJI-MIDARE with ASHI is seen as his mark and his origin. It has therefore been confidently surmised ICHIMONJI NORIFUSA moved the short distance to BITCHU KATAYAMA from BIZEN FUKUOKA. Special characteristics of his swords are strong UTSURI and CHOJI-MIDARE that leans. Note: Only two-character signatures are early. His two- character MEI, NORIFUSA, may be encountered on the works of other generations, however few swords are in the old style, prior to SHO-AN 1299 (the limits of the second NORIFUSA). see Norifusa Tokubetsu Juyo Norifusa |
KOKUHO NORIFUSA NAGASA: 77.3cm SORI: 3.2cm |
Gift for the 5th TOKUGAWA SHOGUN, TSUNAYOSHI on the birth of his son, the future 6th SHOGUN, TOKUGAWA IYENOBU. It remained a TOKUGAWA possession for many years. |
SHINOGI-TSUKURI, IHORI-MUNE, deeply-curved IKUBI TACHI of the emerging middle period. Full BO-HI resolves in KAKU-DOME, mid-way in the SURIAGE NAKAGO. Perfectly knit KO-ITAME HADA of the highest excellence has JI-NIE and standing MIDARE-UTSURI. SAKA figures make an entrance on his transition-period O-CHOJI MIDARE BA of JUKA and high-rising DAIBO in deep NIOI and fine KO-NIE - showing the balanced dynamics typical of the SHO-KYU / RYAKU-NIN BIZEN masterworks. ASHI and YO fall and exemplify. MIDARE-KOMI BOSHI finds TOGARI head with brushed KO-NIE HAKIKAKE and KINSUJI defining. SURIAGE NAKAGO has two MEKUGI-ANA and is signed at the bottom:
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SANETOSHI BUN-RYAKU (t: NORIFUSA): Son-in-law of BIZEN NORIMUNE. KO-ICHIMONJI School. TAKATSU UMANOSUKE. Traveled to KATAYAMA and said to have been adopted by NORIFUSA. Work is similar to KO-BIZEN. ITAME of MOKUME showing JI-NIE. KO-CHOJI MIDARE and CHOJI-MIDARE BA in KO-NIE. |
BUNKAZAI SANETOSHI | See SANETOSHI SHIMAZU TADAHISA |
BUNKAZAI SANETOSHI NAGASA: 80.45cm SORI: 2.7cm The signature shows he was from BIZEN. Fine ITAME HADA has beautiful, flowery MIDARE-UTSURI. GUNOME-CHOJI mix shows DAIBO and some JUKA rising from a bed of KO-CHOJI KO-GUNOME where small TOGARI is seen at the tops. A generally tight NIOI draws ASHI and YO throughout. NIE MIDARE-KOMI BOSHI finds TOGARI head. UBU NAKAGO has three MEKUGI-ANA and is signed in the upper: TACHI-URA:
TACHI-OMOTE:
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YORIZANE BUN-RYAKU (f: NORIFUSA): KO-ITAME of MOKUME HADA where CHIJI-MEN "Bunched-thread" displays JI-NIE appearing as dappled UTSURI. KO-NIE DEKI SUGU KO-MIDARE with ASHI. O-CHOJI MIDARE has also been listed, but may not have been his forte. A large CHOJI pattern found to be genuine would be an important interest to scholarship. |
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NORIFUSA(2) KEN-CHO: CHOJI-MIDARE BA. IYEYASU TEI-O: YASU form: "Peace" KO-ITAME HADA. KO-CHOJI MIDARE to O-CHOJI MIDARE of NIE. IYEYASU NORITSUNE RYAKU-NIN (f: NORIFUSA): KO-NIE SAKA CHOJI-MIDARE. YASUIYE KEN-CHO: YASU form: "Peace" From KEN-CHO 1249 to possibly O-CHO 1311. ITAME HADA with JI-NIE. KO-MIDARE BA with ASHI. Also CHOJI-MIDARE BA. YASUIYE KANEYASU BUN-PO (f: YASUIYE): KANE: HO "Parcel" YASU: "Peace" Work from KO-AN 1278 to BUN-PO 1317. KO-ITAME. HAMON in the style of father. CHOJI-MIDARE BA. KANEYASU YOSHISUYE KO-CHO: SAKA CHOJI-MIDARE BA. NORIZANEKO-CHO (f: NORITSUNE): SAKA CHOJI-MIDARE. Later became YUKIYASU of KO-AN 1278. SANETSUNE KA-GEN: KO-ITAME with JI-NIE veil. SUMI-HADA. KO-NIE and NIOI-DEKI SUGU with SAKA KO-ASHI and YO. KO-CHOJI. YASUHIRO TOKU-JI (f: YASUNORI): KO-AOE YASUHIRO is followed by MANJUSHO BUN-PO YASUHIRO and his son of KEM-MU 1334. KATAYAMA YASUHIRO worked from BUN-EI 1261 to TOKU-JI. ITAME HADA. CHOJI-MIDARE BA. HIROTSUNE TEI-JI: ITAME. SAKA KO-CHOJI MIDARE BA. YOSHIIYE TEI-JI (Later: IYEHISA): ITAME. CHOJI-MIDARE with TOGARI. YORIZANE O-AN: NIOI-DEKI SUGU with KO-ASHI and SAKA CHOJI-MIDARE. SANESADA(1) O-AN (f: ARIHIRO): ITAME. CHU-SUGU KO-CHOJI MIDARE. Heads to BINGO GOAMI in O-EI 1394. SANESADA(2) O-EI: SUGUHA and KO-MIDARE HA. IYETSUGU O-AN: Also known as KATAYAMA YOSHIFUSA. AOE smith. Made SUGUHA with ASHI and "Open-troughed" SAKA CHOJI in tight NIOI. IYETSUGU smiths follow in SHI-TOKU 1384, O-EI 1394, KYO-TOKU 1452, MEI-O 1492 and TAI-EI 1521. YUKISUYE EI-KYO: Last of KATAYAMA. SUGU KO-MIDARE and GUNOME HA. YUKIYASU EI-KYO: End of KATAYAMA. KO-MIDARE and GUNOME-MIDARE HA. |
Katayama Ichimonji Naginata Naoshi Katayama Ichimonji Naginata Naoshi Wide blade with O-Kissaki Running Itame Hada has O-Hada and Utsuri clothes the Ji. Monouchi has Ko-Choji Ko-Gunome, where the mid rises with O-Choji, Juka-Choji and Kawazu-ko Choji in a generally Nioi-Deki Yakiba structure. Nie is seen in various places and becomes Mura amid a streaming Sunagashi in the more dramatic mid area. In Gold: Ihara So Bu-no-Suke |
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