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SUE-NAMINOHIRA
AYASUGI-MASAME. Some retain YAMATO-style raised MUROMACHI SHINOGI and wide SHINOGI-JI but OEI influence brought low SHINOGI without FUNBARI. Medium curve. Some with MARU NAKAGO-MUNE. Looser grain and less JI-NIE than the earlier pieces. HOSO-SUGU with ASHI, SUGU KO-GUNOME and SUGU-KUZURE BA in deep NIOI. SUNAGASHI. BOSHI can become KUZURE.Deep KAERI is a late-school mark. ________ YUKIYASU(1) EN-KEI 1308 |___________________________________________________________ ____|____ | YASUMITSU(1) GEN-O 1331 The O-EI transforms CHU-NAMINOHIRA | |_______________________________________ | ____|____ __|____ | YASUMITSU(2) EN-BUN 1356 YASUAKI(1) EI-WA 1375 | ____|____ - CHU-NAMINOHIRA - | ________ ________ | YASUMITSU(3) O-AN 1368 | MASAYUKI YASUNARI | |________ ________ - SUE-NAMINOHIRA - | - O-EI 1394 - | ____|____ ___|____ ___|____ __|____ | YASUMITSU YASUMORO YASUMOTO YASUAKI(2) O-EI 1394 | | - O-EI 1394 - ________________| | ____|____ ___|____ __|____ | YASUMITSU HO-TOKU 1449 YASUTOMO EI-KYO YASUAKI BUN-AN 1444 | ____|____ ___|____ 1429 __|____ | YASUMITSU BUN-GI 1501 YASUTOMO YASUAKI EN-TOKU 1489 | ____|____ KAN-SHO 1460 __|____ | YASUMITSU TEN-MON 1532 YASUAKI EI-SHO 1504 | ____|____ __|____ | YASUMITSU TEN-SHO 1573 YASUAKI TEN-MON 1532 | __|____ | YASUAKI TEN-SHO 1573 | ____________________________________________________________| ___|___ IYEYASU(1) SHO-WA 1312 ___|___ - CHU-NAMINOHIRA - IYEYASU(2) GEN-KYO 1321 |_________________________ ___|___ ___|____ ________ IYEYASU(3) GEN-TOKU 1329 YASUHISA KO-EI 1342 KUSAYASU ___|___ |____________________ EN-BUN 1356 IYEYASU(4) EN-BUN 1356 ___|____ ____|____ ___|___ YASUHISA O-AN 1368 CHIKAYASU MEI-TOKU IYEYASU(5) O-EI 1394 ___|____ ___|____ 1390 ___|___ YASUHISA O-EI 1394 YASUNOBU IYEYASU(6) EI-KYO 1429 ___|____ BUN-MEI 1469 ___|___ YASUHISA BUN-AN 1444 IYEYASU(7) KAN-SHO 1460 ___|____ ___|___ YASUHISA BUN-MEI 1469 IYEYASU(8) BUN-MEI 1469 ___|____ _________ ___|___ YASUHISA EI-SHO 1504 HISAYOSHI IYEYASU(9) BUN-GI 1501 ___|____ TAI-EI 1521 ___|___ YASUHISA EI-ROKU 1558 IYEYASU(10) EI-SHO 1504 ___|___ - SUE-NAMINOHIRA - IYEYASU(11) EI-ROKU 1558 |
SATSUMA - SUE-NAMINOHIRA
_________ _________ YOSHIYASU(1) O-AN 1368 YASUYOSHI(1) O-EI 1394 ____|____ ____|____ YOSHIYASU(2) O-EI 1394 YASUYOSHI(2) KAN-SHO 1460 ____|____ ____|____ YOSHIYASU(3) BUN-MEI 1469 YASUYOSHI(3) BUN-MEI 1469 ____|____ ____|____ YOSHIYASU(4) EI-SHO 1504 YASUYOSHI(4) MEI-O 1492 ____|____ ____|____ YOSHIYASU(5) TAI-EI 1521 YASUYOSHI(5) TEN-MON 1532 ____|____ ____|____ YOSHIYASU(6) EI-ROKU 1558 YASUYOSHI(6) KO-JI 1555 YOSHIYASU O-EI: SHIRA-KERU "Turbid-white" ITAME HADA with MASAME. SUGUHA and GUNOME in deep NIOI. YOSHIYASU BUN-MEI: Running MOKUME HADA forms AYASUGI. ARA-NIE GUNOME-MIDARE or GUNOME HA of KO-ASHI that sit in a NOTARE line. MIDARE BOSHI to KO-MARU. HIGAKI YASURI. YASUMITSU: Short UCHI-GATANA with CHU-KISSAKI and deeply curved small TACHI. ITAME laminate under AYASUGI has JI-NIE. KO-NIE DEKI GUNOME. BOSHI: MIDARE KO-MARU. YASUAKI EI-WA (f: YASUMITSU): SUGUHA and KO-MIDARE BA. YASUTOMO EI-KYO (f: YASUAKI): TANIYAMA. KO-NIE SUGUHA and GUNOME. YASUNARI KA-KEI (f: NAGAYOSHI): AYASUGI. NIOI SUGUHA. MASAYUKI O-EI: Made swords with YASUNARI. AYASUGI HADA. Deep NIOI SUGUHA. IYEYASU(5) O-EI: KUSA IYEYASU. Running ITAME with MASAME. KO-NIE and deep NIOI HOSO-SUGUHA has SUNAGASHI. SUMIYASU KAN-SHO: SUGUHA, NOTARE or GUNOME-MIDARE HA. NOBUYASU BUN-SHO: Running AYASUGI HADA. Deep NIOI SUGUHA. TEN-SHO YASUNOBU: Running SHIRA-KE ITAME that stands. HOSO-SUGU KO-GUNOME with KO-ASHI in defined NIOI and KO-NIE. _________ SHIGESUMI CHO-ROKU 1457 ____|_____ SHIGEYOSHI (OSUMI) EI-ROKU 1558 SHIGESUMI CHO-ROKU: Running AYASUGI HADA. SUGUHA and GUNOME in deep NIOI. SHIGEYOSHI EI-ROKU: SHIGEYOSHI NYUDO. Worked in OSUMI and BINGO making WAKIZASHI and TANTO with MITSU-MUNE. AYASUGI. NIE KO-GUNOME MIDARE with SUNAGASHI. MIDARE BOSHI has high KO-MARU and long uneven turnback. |
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SATSUMA KOTO SUE-NAMINOHIRA School
YOSHIYASU CHO-KYO: NAMINOHIRA HITATSURA BA. YOSHIYUKI CHO-KYO: TANIYAMA. ITA AYASUGI. SUGU KO-MIDARE BA. SUMIYASU KAN-SHO: SUGU-NOTARE GUNOME-MIDARE. _________ YOSHINARI EI-SHO 1504 SHIRA-KE running ITAME. Deep NIOI SUGUHA. ________ YASUHIDE EI-SHO 1504 Standing SHIRA-KERU "Turbid white" ITAME with MASAME. KO-NIE and deep NIOI SUGUHA. _________ YASUMITSU EI-SHO 1504 SHIRA-KERU "Turbid-white" MOKUME. GUNOME HA with ASHI. TSUYO "strong" NIE in SUNAGASHI with clear NAMINOHIRA style JI-BA. (Earlier: TOKU-JI and O-AN) ________ YASUSADA EI-SHO 1504 SUGU KO-MIDARE BA. ________ KIYONARI TAI-EI: TANIYAMA. SUGUHA. |
 Nami-no-Hira Sadayasu Saku |
SATSUMA - SATO
________ KIYOSUKE SATO KIYOSUKE TAI-EI 1521 KIYONAGA TEI-IE 1521 |_________ _________ __________ ____|____ ___|____ ___|____ ____|____ KIYOYOSHI KIYOHIDE SADAKIYO SADATSUGU(1) TEN-MON 1532 - TEN-MON 1532 - ____|____ _________ SADATSUGU(2) KIYOMITSU GEN-KI 1570 EI-ROKU 1558 KIYOSUKE TAI-EI: HOSOKAWA FUJITAKA became NAGAOKA, a proud merit from the successful ventures under ODA NOBUNAGA. Upon NOBUNAGA's death, he shaved his head and became YUSAI. KIYOSUKE made YUSAI's JUTO, "YAEDATAMI." Worked from EI-SHO 1504 to KYO-ROKU 1528. A study of BIZEN KIYOMITSU, HADA resembles SUE-BIZEN KO-MOKUME. Defined NIOI KO-GUNOME has FUSHI "Knots" within the GUNOME-MIDARE HAMON. KIYOYOSHI TEN-MON (f: SATO KIYOSUKE): SATO NYUDO. His father was enamored of OSAFUNE KIYOMITSU. SUE-BIZEN style MOKUME. GUNOME KO-MIDARE. KIYOHIDE TEN-MON: KIYOSUKE line. Work from TEN-MON to KO-JI 1555. Running ITAME HADA with MASAME. KO-NIE DEKI HITATSURA. BOSHI: NIE-KUZURE. SADAKIYO TEN-MON: Standing SHIRA-KERU "Turbid-white" MOKUME HADA. KO-NIE GUNOME-MIDARE with ASHI. SADATSUGU(1) TEN-MON: KIYOSUKE line. First made KO-NOTARE but after study with KIYOSUKE, we see GUNOME-CHOJI MIDARE. SADATSUGU(2) GEN-KI (f: SADATSUGU 1): In the style of his father, SUE-BIZEN style GUNOME-CHOJI MIDARE BA. His SHU of SASHU is the "three swords" figure. KIYOMITSU EI-ROKU: SATO Family smith. SUGUHA and GUNOME-MIDARE. _________ YUKITSUNE ____|_____ TOSHITSUNE(1) TEN-MON 1532 ____|_____ TOSHITSUNE(2) TEN-SHO 1573 TOSHITSUNE TEN-MON (f: YUKITSUNE): TANIYAMA. SUGU KO-MIDARE. _________ TOSHIYASU TEN-MON 1532 AYASUGI from MASAME. KO-NIE and deep NIOI KO-MIDARE BA. ________ IYETOSHI TEN-MON 1532 TANIYAMA. Standing ITAME HADA. A wide YAKIBA of KO-NIE SUGUHA has KO-GUNOME with KO-ASHI where NIJUBA cuts through. |
Kiyonaga Kiyonaga Katana Nagasa: 2 Shaku 3 Sun 8 Bu (72.5cm) Moto-Haba: 1 Sun 1 Bu (3.3cm) Nakago: 8 Sun (24.2cm) Shinogi-Tsukuri, Ihori-Mune. Bo-Hi. Itame Ko-Mokume that stands out.Ji-Nie and Chikei. Bo-Utsuri extends the whole length. Gunome Ko-Choji Midare with Togari in Nioi. Sunagashi and Kinsuji are seen. Midare-Komi Boshi has Ko-Maru. Machi-Okuri Ubu Nakago has two Mekugi-ana. Kiyonaga Saku |
SATSUMA KOTO SUE-NAMINOHIRA School
________ YUKISADA TEN-MON 1532 TANIYAMA Group. SASHU NAMI-no-HIRA YUKISADA _________ YOSHISADA KO-JI 1555 TANIYAMA. AYASUGI HADA. SUGU KO-MIDARE of weak NIOI. _________ KIYOMITSU EI-ROKU 1558 SUGU GUNOME-MIDARE. ________ YASUMUNE EI-ROKU 1558 TANIYAMA JU. SUGUHA, GUNOME-MIDARE and KO-NOTARE BA. ________ MUNEYUKI EI-ROKU 1558 Standing MOKUME HADA runs. Deep NIOI KO-MIDARE BA has SUNAGASHI. ________ YASUKIYO(1) EI-ROKU 1558 ___|____ YASUKIYO(2) TEN-SHO 1573 YASUKIYO(2) TEN-SHO: Running ITAME with MASAME. KO-NIE SUGUHA. The head of the YASU character has extra strokes and will be leaning and cursive like. |
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