MINO SHIZU: KANEUJI founds MINO and the NAOE SHIZU
Technical SUGATA - Shallow curve of gently tapered width.
HADA - Fine KO-MOKUME, ITA MASA mix. JI-NIE on clear,
moist blue steel. UZU. Some pronounced HADA in
the folds. CHIKEI.
HAMON - A few HIRO-SUGU, but mostly O-MIDARE, GUNOME-
TOGARI MIDARE, O-GUNOME O-NOTARE, and NOTARE-
MIDARE with KINSUJI and INAZUMA. NIE-TSUYU on
NIOI. SUNAGASHI and ASHI. NIJU.
BOSHI - MIDARE or KAEN. Some TOGARI. Little turnback.
NAKAGO - Many SURIAGE and usually with two character
signatures if any. MU-MEI is the NAOE signature.
NAOE SHIZU were descendants. Their blades are lighter and of
less curvature but have otherwise similar characteristics.
"The Ten Students"
MINO-DEN Founder SHIZU KANEUJI GEN-O 1319 * Bell-Ringer for Mino *
____________________ _________|______________ _____________ ___________
____|_____ -br- _________|____ ___|_________ ___|____ ___|_____ ____|___
MITSUYOSHI SHIZU KANETOMO NAOE KANETOSHI NAGAKANE(2) KANETSUGU KANENORI | __________|____ | - TEI-WA 1345 - ___________| O-AN 1368
|________ SANAMI KANENORI(1) | ___________|_ ________|______ ______________
____|___ ____|________ | NAOE KANENOBU ZENJO KANESHIGE NAOE KANESHIGE
KANEYUKI SENA KANETOMO TEI-WA/OEI |_________ _______ ________ ________|___
________|________ ____|____ ____|____ __|____ ___|____ NAOE KANENAO ____|___ ____|____ ___|____ KANETOSHI KANETSUGU KANEUJI KANEHISA _______
KANEKUNI KANETSUGU KANEYUKI ____|____ ___|____ KANEIYE O-AN 1368 - MEI-TOKU/OEI 1394 - KANETSUGU KANEHISA ___|___ KANEIYE OEI 1394 Descendants to SEKI
Wide, curved Tachi with strong, elongated Chu-Kissaki
SHIZUSABURO KANEUJI KEM-MU 1334: Tegai roots from Yamato. Shizu Kaneuji and Kanetomo arrive in Mino finding their base at Naoe.See Kaneuji See earlier pieces in: Yamato Shizu KANEUJI traveled for work in Kamakura and then moved the new SOSHU style SHIZU School to Naoe in Mino, altering his signature Kane-form to use the KEN "bushel".
JITETSU of the NAOE SHIZU
Sena Group SHIZU KANEUJI __________________| ______|___ -br- _________|____ MITSUYOSHI SHIZU KANETOMO(1) KEM-MU 1334 | |______________________ | __________|____ ____|___ ____________________| SANAMI KANENORI(1) OEI 1394 KANEKAGE TEI-WA 1345 _______|_________-br- ______|_____ ________ ________ NARAGORO KANEYUKI SENA KANETOMO TEI-WA 1345 MOROKANE TEI-WA KANEKUNI EI-WA 1375 ____|___ | (to MEI-TOKU 1390) ________ 1345 ___|____ KANEHIRO O-EI 1394 | MOROMUNE EN-BUN KANEKUNI O-EI 1394 ______|_________ |_______________ __________ ___________ HACHIYA TSUGUKANE ____|___ ___|____ ____|____ ____|___ ____|__________ KANETSUGU OEI KANEYUKI KUNISHIGE KANEKUNI MEI-TOKU 1390 HACHIYA KANEAKI _____|__ MEI-TOKU 1390 BUN-GI 1501 KANESATO KA-KICHI 1441
MITSUYOSHI KEM-MU 1334 (f: KANEUJI): UEMONJIRO. To ENBUN 1356. UEMONJIRO. NAOE. Brother of KANETOMO. His son is AKASAKA SENJUIN SENSHIN, see AKASAKA SENJUIN, grandson is SAEMONSHIRO KANEHIRO, See TOKUEI. MITSUYOSHI
KANETOMO(1) KEM-MU (t:KANEUJI 1): Son and student. Uemon-no-Jo. Uemonsaburo. Originally TEGAI style. Moved with KANEUJI(1) to MINO, changing the first character of his name along with his KEM-MU YAMATO style. Buddhist name: HOMYO-ATSUA. Made many important pieces. Work period between TEI-WA 1345 and KO-WA 1381. MITSU-MUNE DAMBIRA are seen between EN-BUN 1356 and TEI-JI 1368 time. ITAME HADA has MASAME running and BO-UTSURI. KO-NIE DEKI of undulating NOTARE holding GUNOME-MIDARE figures. Boshi are Midare with TSUKI-AGE and long KAERI. Past O-An we see 9 Sun, Ihori-mune Tanto. JI-TETSU become a running O-ITAME with MASAME. JO-NIE DEKI NOTARE with GUNOME; and BOSHI are often HAKIKAKE. ZAI-MEI are to be carefully judged. See YAMATO. See KANETOMO example in KANEUJI. MEI: KANETOMO
KANEKAGE TEI-WA 1345 (f: NAOE SHIZU KANETOMO): Work from the KEM-MU to EI-WA time. MAGOJIRO. NAOE SHIZU smith, working in the center of their time. KANEKAGE
MOROKANE TEI-WA: NAOE SHIZU. HOMYO DOSEN. MOROKANE
MOROMUNE EN-BUN: NAOE SHIZU. Originally from YAMATO. KO-GUNOME TOGARI BA has SUNAGASHI. WAZAMONO rated. NOSHU MOROMUNE
KANENORI O-AN (t: KANEUJI}: SHIROUEMON. NAOE SHIZU. KANENORI SAKU
SANAMI KANENORI(1) OEI (f: SHIZU KANETOMO): NORI form: SOKU "Law". HOMYO SANAMI. A founder of SANAMI School. See SANAMI.
KANETOMO(2)TEI-JI (f:KANETOMO 1): TEGAI. Thought to be NAOE
KANETOMO (MINO KANETOMO 2). HIRA-TSUKURI, MITSU-MUNE,
strong and wide DAMBIRA. Luminous ITAME-HADA under a
veil of JI-NIE. KO-NIE DEKI shallow NOTARE GUNOME-MIDARE
with some KO-ASHI and YO. SUNAGASHI. HAKIKAKE BOSHI with
TSUKI-AGE KAERI (thrust and swept). See YAMATO.
MEI: KANETOMO
KANETOMO O-EI (f: MITSUYOSHI): TOKURO. Lived in NAOE. He is SENA. He moved moved from NAOE to SEKI and joined the SAMAMI. ITAME with MASAME with SHIRAKE. KO-NIE SUGU lines having KO-GUNOME within. See the SANAMI. KANETOMO
KANESHIGE OEI (f: KANENORI, grf: KANETOMO): SHIGE form: HO "wrap". NAOE JU. KANESHIGE
KUNISHIGE KEM-MU - SHIROMARU. Said to have been in SENA Group - however the dates strain this. SENA is KANETOMO, third man and in the mid to late century. Still possible but perhaps names were confused. He is AKASAKA SENJUIN KUNISHIGE. See AKASAKA SENJUIN.
KANETOMO O-AN 1368: KANE form: CHI "To know". NAOE smith. KANETOMO
KANEYUKI MEI-TOKU 1390 (br: KANETOMO): NAOE SHIZU. Work from MEI-TOKU to the OEI. Buddhist name: NARAGORO. Second generation is the son of KANESADA. See NARA and HACHIYA.
KANEHIRO O-EI (f: KANEYUKI): KANE form: KIN "Gold". Son of "SEKI KANEYUKI" is therefore possible to be in HACHIYA.
KANEKUNI MEI-TOKU 1390 (t: KANETOMO, f: YAMATO KANEKUNI): TAIMASAEMON. Buddhist name: HOMYO-DOCHIN. From YAMATO TAIMA to NAOE town. RYO-WAZAMONO. TAIMA NOSHU JU KANEKUNI
KANETSUGU OEI (f: SENA, grf: KANETOMO): HOMYO-DOSHO. Lived in NAOE. Made SUGUHA and KO-NOTARE BA. KANETSUGU
KANESATO KA-KICHI f: KANETSUGU, grf: KANETOMO): NAOITARO. NAOE stylist. Wirk from KA-CHI to O-NIN. 2nd Generation transfers to AKASAKA in the O-NIN 1467 time. KANESATO
KANENORI OEI (f: NAOE KANETOMO): Founder of SANAMI. See SANAMI.
KANEIYE OEI: IYE form: TAKU "Home". ROKUROZAEMON. NAOE smith. Descendants to SEKI. See SANAMI and SEKI.
KANEKUNI EI-WA and OEI. Two men at NAOE. KUNI form: HO "Country" Descendants to SANAMI. KANEKUNI
KANETSUGU Group KANETSUGU ___________ _______________|__________ ___________|_ ________|______ ________|_____ ___|____ NAOE KANENOBU ZENJO KANESHIGE NAOE KANESHIGE KANEMASA O-EI 1394 ________|___ NAOE KANENAO
KANETSUGU TEI-WA 1345 (f: KANEUJI(1): NAOE town. Another son and student of SHIZU KANEUJI. NAOE SHIZU man in the style of his father. Made MUMEI 7 SUN TANTO that are narrow-bodied. Come RYAKU-O 1338, We see the wide-bodied NAMBOKU DAMBIRA. ITAME HADA has MASAME with JI-NIE that is SHIRAKE. KO-NIE DEKI GUNOME-MIDARE patterns, NOTARE lines, GUNOME TOGARI mix are seen. TOGARI HAKIKAKE BOSHI. Early period TANTO NAKAGO are FURISODE. Then FUNAGATA. HA-AGARI JIRI. KANETSUGU
KANENOBU KO-RYAKU 1379 (t: KANETSUGU, f: KANEUJI): NAOE SHIZU smith. SAEMONJIRO. Work period from O-AN 1368 through EI-TOKU 1381 time frames. Wide, thin bodied TANTO and DAMBIRA. Standing ITAME HADA runs with MASAME where SHIRAKE is developed. NIE-DEKI and KO-NIE GUNOME-MIDARE mixes with TOGARI. Shallow MIDARE BOSHI with TOGARI head and JIZO style. Exceptional HORI of SANKO TSUKA Sword and Vajra Handle and Lotus. BONJI and KURIKARA Dragons. KANENOBU
KANETSUGU OEI (t: KANETSUGU): NAOE smith. TSUGU form: KEI "Inherit". WAZAMONO rated. Made GUNOME-MIDARE BA. KANETSUGU
KANEMASA OEI 1394 (f: KANETSUGU): NAOE smith. Several theories collide. 1): He could be the second son of KANETOMO. 2): He is MATAJIRO KANEMASA and his grandfather is KANENORI where he leaves for SANAMI, becoming KANEMASA(1). His line then moves to HACHIYA. KANEMASA
ZENJO KANESHIGE EI-KYO (f: KANETSUGU): See ZENJO.
NAOE KANESHIGE TEI-JI: maker of excellence. NAOE SHIZU. Said to be a different man than ZENJO KANESHIGE KANESHIGE
KANENAO KO-RYAKU (f: KANESHIGE): SAEMONJIRO. NAOE smith. KANENAO(2) moves to SEKI in the OEI. KANENAO in BUNMEI forward are ZENJO. See ZENJO
Meibutsu Wakebe Shizu
Nagasa: 2
Shaku 3 Sun 3 Bu (70.59cm)
Sori: 6 Bu 5 Rin (1.96cm)
Moto-haba: 1 Sun 5 Rin (3.2cm)
Saki-haba: 7 Bu 5 Rin (2.3cm)
Kissaki-naga: 1 Sun 2 Bu 7 Rin
(3.85cm)
Nakago: 5 Sun 7 Bu 7 Rin
(17.5cm)
Nakagozori: 1 Bu (0.3cm)
Shinogi-tsukuri,
Ihori-mune to strong
Chu-Kissaki. Bo-Hi
falls the whole of the
length.
Ko-Itame Hada has
thick Ji-Nie dappled
over the surface.
Ko-Nie O-Midare and
Gunome-Midare mix
together where
Tobiyaki hangs above
Sunagashi Niju.
Defined Nioi-guchi
specifies the line.
Midare-Komi Tsuki-age
Boshi of Hakikake.
O-Suriage Mumei. |
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Kanetomo - Juyo
Bijutsu-Hin
Kanetomo
Nagasa:
8 Sun 5 Bu 7 Rin
(28.3cm)
Very subtle Sori
Moto-haba: 7 Bu 8.8 Rin
(2.6cm)
Nakago: 2 Sun 8 Bu 5 Rin
(9.4cm)
Very gentle Nakagozori
Hira-tsukuri, Ihori-mune, wide Namboku Dambira with thin
Kasane. Bo-Hi
and Tsura-bi
run the
length.
Masame Hada
has Itame
mixed. Much
Ji-Nie.
Notare has
Gunome falling
Chika-i near
the Ha. Yakiba
has profusion
of Sunagashi
and Nie.
NotareKomi
Boshi, KoMaru
where the
Kaeri is deep.
Ubu, Kurijiri
Nakago has two
Mekugi-ana,
one is Kaku,
and signed:
Kanetomo |
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Naoe
Shizu Tanto Juyo
Bunkazai
Naoe Shizu Tanto
Nagasa: 8 Sun 3 Bu 5 Rin (25.3cm)
Uchizori
Moto-haba: 7
Bu 2 Rin
(2.2cm)
Nakago: 3 Sun
1 Bu (9.45cm)
Possession of the Kuroda Family
Hira-tsukuri,
Mitsu-mune,
Uchizori
Tanto.
Itame-Hada has
much Ji-Nie
and Chikei in
the steel.
Wildly rising
and falling
O-Gunome
Midare Ba in
deep
Nioi-Fukashi
and Ko-Nie.
There is Ashi,
Yo, Tobi-yaki
and Kinsuji.
Boshi and
Monouchi are
filled as
Midare-Komi.
Ubu, Kurijiri
Nakago. One
Mekugi-ana of
many mounts.
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See Tokubetsu Shizu
Meibutsu Wakebe Shizu -
Juyo Bunkazai
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