ETCHU UDA School
KUNIFUSA's O-EI pursuit falls into the
MUROMACHI. MIDARE or GUNOME patterns
____|___ within a NOTARE line. Some SUNAGASHI,
KUNIFUSA(2) O-EI 1394 some HOTSURE.
KUNINAGA
KUNITSUGU
KUNIMASA
________ _____________
KUNIFUSA(2) O-EI 1394 NOTO SANEMOTO O-EI 1394
|_________________________ _______________________
___|____ ___|____ |
KUNIFUSA(3) BUN-AN 1444 KUNINAGA(1) EI-KYO 1429 |
___|____ ___|____ |
KUNIFUSA(4) O-NIN 1467 KUNINAGA(2) BUN-MEI 1469 |
___|____ ___|____ |
KUNIFUSA(5) BUN-MEI 1469 KUNINAGA(3) KYO-ROKU 1528 |
___|____ ___|____ |
KUNIFUSA(6) EI-SHO 1504 KUNINAGA(4) TEN-SHO 1573 |
________ _________________________|
HISAKUNI TEI-EI 1521 ____|____ ___|____
KUNITSUGU(3) EI-KYO 1429 KUNIMASA(2)
_________ _________ ____|____ BUN-MEI 1469
YOSHIKUNI KUNITSUNA KUNITSUGU(4) BUN-MEI 1469
- BUN-MEI 1469 - ____|____ _________
_________ KUNITSUGU(5) MEI-O 1492 KATSUKUNI
YOSHIKUNI ____|____ EN-TOKU 1489
TEN-MON 1532 KUNITSUGU(6) TEN-MON 1532
________ ________
MORIKUNI KAGETOMO
TEN-SHO 1573 BUN-ROKU 1592
KUNIFUSA(2) O-EI: HACHIRO. Buddhist name: JOSHIN. HIRA-TSUKURI,
IHORI-MUNE, curveless TANTO. MOKUME emerges from KO-ITAME
HADA where JI-NIE is found. ASAKI-NOTARE holds KO-NIE
KO-GUNOME or GUNOME-MIDARE while HOTSURE clings. KINSUJI
dances in SUNAGASHI. Clear BO-UTSURI. GUNOME inside
NOTARE is of BIZEN O-EI style as compared to NAMBOKUCHO
SOSHU style. 3rd and 4th are NIE-DEKI SUGU or GUNOME-
MIDARE styles in NIE.
MEI: UDA KUNIFUSA
KUNIFUSA(5) BUN-MEI: NIE SUGUHA or GUNOME-MIDARE with SUNAGASHI.
MEI: UDA KUNIFUSA
KUNIMASA(2) BUN-MEI (f: KUNIFUSA 2): SUGU KO-MIDARE in NOTARE BA.
MEI: UDA KUNIMASA
KUNINAGA(1) EI-KYO (t: KUNIFUSA 2): HEIJIRO. Buddhist name: JOHON
MOKUME HADA with MASAME has JI-NIE. KO-NIE KO-MIDARE
where HOTSURE pulls.
MEI: UDA KUNINAGA
|