YAMATO TEGAI - KANENAGA 3
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KANENAGA(3) EN-BUN 1356
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KANENAGA(4) KANEZANE(1) KO-AN 1361 KANEMITSU(1) O-EI 1394
O-EI 1394 __________| ____________|___________
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SUKENAGA KANESHIGE KANEKUNI(1) KANEMITSU(2) KANEYUKI(3)
- O-EI 1394 - - EI-KYO 1429 - O-EI 1394
KANENAGA(3) EN-BUN: HEISHIRO. ZAI-MEI place EN-BUN 1356 to TEI-JI
1362. TACHI and HIRA-TSUKURI MU-SORI TANTO are seen.
Running MASAME HADA.KO-NIE CHU-SUGU width NIJUBA
KUICHIGAI BA with HOTSURE. GUNOME-MIDARE HA finds an
uneven course. HAKIKAKE brushes TOGARI BOSHI with a
long-falling KAERI. Small signature. TANTO may show
HIGAKI YASURI-ME.
MEI: KANENAGA
YAMATO-no-KUNI JU KANENAGA
KANEMITSU O-EI (f: KANEYOSHI, t: KANENAGA 3): Moved to MINO and
changed the first character of his MEI to KANE: KEN
"Combine." MASAME. SUGUHA.
MEI: KANEMITSU
YAMATO-no-KUNI KANEMITSU
KANEYUKI(3) O-EI (f: KANEMITSU): Large MITSU-MUNE, MU-SORI TANTO.
Running O-ITAME HADA. CHU-SUGU GUNOME HA with HOTSURE.
BOSHI is HAKIKAKE with KO-MARU. KAERI-FUKASHI. HIGAKI
YASURI.
MEI: KANEYUKI
YAMATO-no-KUNI KANEYUKI
KANEZANE(1) KO-AN (f: TEI-WA KANENAGA 1,
t: KANENAGA 3): MASAME. HOTSURE NIJUBA runs
through GUNOME patterns. The 2nd KANEZANE
was student of KANEYOSHI, see KANENAGA(1)
school. KANEZANE(3) is found in SUE-TEGAI
following.
MEI: KANEZANE
FUJIWARA KANEZANE
KANESHIGE O-EI: Made MITSU-MUNE. MASAME has
BO-UTSURI. Evenly set NIE KO-GUNOME similar
to certain BIZEN styles show HOTSURE from
the HABUCHI. He was swept up in the
popularity of the O-EI. HORIMONO are
generally simple. SU-KEN, BONJI, GOMABASHI
seen.
MEI: KANESHIGE
YAMATO-no-KUNI KANESHIGE
KANENAGA(4) O-EI 1394
MEI: KANENAGA
FUJIWARA KANENAGA
YAMATO-no-KUNI JU KANENAGA
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